The sequel - reuniting Anne Hathaway, Meryl Streep, Emily Blunt and Stanley Tucci - is the first chick flick to ever kick off the summer box office as superheroes get their capes overhauled.

The Devil Wears Prada, released in 2003, was written by Lauren Weisberger, who Fremar had hired to work with her while she was first assistant to Vogue boss Anna Wintour, on whom Meryl Streep’s Miranda Priestly was based. Fremar told Vogue’s The Run-Through podcast that an early copy of the book was "quite mean," but "softened."

(Corrects net revenues figure to 1.4 billion euros (not 1.3 billion euros), in line with consensus, in paragraph 2) MILAN, April 30 (Reuters) - Revenues at Italian luxury group Prada rose 3% at constant exchange rates in the first quarter,

Midway through “The Devil Wears Prada 2,” as Runway magazine faces the latest of many challenges to its future integrity and potentially even existence as a publication, now-jaded journo Andy Sachs bemoans the corporate repackaging of so much media into a smaller,

Anne Hathaway, Stanley Tucci, Emily Blunt and an icy Meryl Streep return for a sequel that's less about fashion, more about the horrors of keeping a magazine alive.

The fashion house’s sales rose 10% on year at constant currency. Excluding the contribution from Versace, retail sales were up 1% compared with the same period a year earlier.

Stanley Tucci also returns two decades after David Frankel's hit about an outsider at a glossy fashion magazine run by a witheringly icy editor-in-chief.

The Devil Wears Prada 2” is set to premiere in the United States later this week, but the long-awaited sequel is drawing criticism from some of its Asian aud