Early awards contenders like One Battle Battle After Another and Bugonia were shot on revived VistaVision cameras — a ...
Kerk. The camera had jammed, again. Michael Bauman wasn’t surprised. As the director of photography for “One Battle After Another,” Paul Thomas Anderson’s ambitious comedy-thriller starring Leonardo ...
The TCM Classic Film Festival isn’t just high on vintage films — occasionally, at least, the festival also finds a way to make room for long-gone methods of projection and exhibition. This is, after ...
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Why Are Some of the World’s Best Directors Reviving This Special Film Format Created in the 1950s?
The legacy of VistaVision is intertwined with some of the most acclaimed films ever made. The high-resolution film format, developed by Paramount Pictures in the 1950s, is able to create richer and ...
Lol Crawley, a first-time Oscar nominee, won the cinematography award for “The Brutalist,” giving the film its first trophy of the night as the ceremony wound up its third hour. The movie, which ...
There was never any question about what format director Brady Corbet would shoot “The Brutalist” on. Cinematographer Lol Crawley says, “We’ve always shot on film.” “The Brutalist” tells the story of ...
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