Performances in N.Y.C. Advertisement Supported by Critic’s Pick In his company debut, the director Claus Guth takes a psychological approach, surrounding the title character with six versions of her ...

Staged in deepest black and dingy white, Guth’s production is unapologetic in its symbolism. It opens on a girl playing with a doll in relative silence. She breaks off its arms moments before that ...

Almost everyone in Salome wants something they shouldn’t. A king desires his stepdaughter, a servant desires a princess and a princess desires a prisoner with equal parts fascination and repulsion. We ...

NEW YORK (AP) — Elza van den Heever’s portrayal of Salome sticks to her when she leaves the Metropolitan Opera for a rented apartment on Manhattan’s Upper West Side. “Every night I wake up with the ...

Still in the mood for a Wicked-style fan fiction that rivals its source’s weirdness? What about the criminally rotted horniness of Nosferatu? Imago Theatre satiates these lusts with an English ...

Antoine Mariotte was not the first composer, and won't be the last, to set a text without first acquiring the rights. His misfortune was extreme. He began setting Oscar Wilde's Salome, in the original ...