Review of Abigail Sin and Lin Xiangning's powerful performances of Beethoven's piano concertos in the Dennis Lee Piano Series ...
Jane Jones explores the drama that reveals the piano as the poet. If your picture of Beethoven is, like mine, of a dramatic, dark personality whose tragic life events shaped him and his music, then ...
Beethoven completed five Piano Concertos in under 20 years, but from the age of 38 he would never finish one again as his deafness stopped him from performing, writes John Suchet. Five completed Piano ...
Beethoven’s 1817 fortepiano, built by Thomas Broadwood. Beethoven, though primarily thought of as a great composer, was also the greatest pianist of his age. Only Franz Liszt could approach ...
Fifty years after his classic recordings with Jacqueline du Pre, Barenboim joins with his violinist son and cellist Kian Soltani to bring nuance and thoughtfulness to these seven piano trios Daniel ...
101 Beethoven, Ludwig v.: Sonata No. 1 in F Major, Op. 5, No. 1 / Paul Olefsky, Walter Hautzig. Violoncello,Piano 201 Beethoven, Ludwig v.: Sonata No. 2 in G Minor ...
The pianist’s severe, analytical style engages with two of the most challenging works in the repertoire to produce a disc of compelling, muscular authority It took Maurizio Pollini more than 30 years ...
Space to play or pause, M to mute, left and right arrows to seek, up and down arrows for volume. "Poignant, proud, beautiful, complicated, crazy, monumental..." Just some of the words Australian ...
Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter. During the lockdown Daniel Barenboim said he had more time to play the piano than for 50 years. One of the ...
Even as he struggled with the onset of deafness, Beethoven took the piano sonata into new realms of expressive power and beauty. Beethoven composed his Moonlight Sonata in 1801, the same year that — A ...
Performances in N.Y.C. Advertisement Supported by Beethoven at 250 Nannette Streicher has been marginalized by history, but she was one of Europe’s finest keyboard manufacturers. By Patricia Morrisroe ...
Performances in N.Y.C. Advertisement Supported by critic’s notebook Our chief classical critic took on the daunting Opus 110 in college, and now relishes risky recordings. By Anthony Tommasini For my ...